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Top flicks of the year 2022 Anonymous 12/29/2022 (Thu) 13:45:37 No.2792
Hello anons, what were your top flicks of the year 2022?
from top to bottom, left to right: Mariupolis 2 2022 | Gregory Markopoulos’s Temenos 2022 | Super Natural 2022 Safe Place 2022 | ? | EO 2022 Herbaria 2022 | See You Friday, Robinson 2022 | The Fabric of the Human Body 2022 The Eclipse 2022 | ? | After Blue 2021 Alessandro nell’Indie by Max Emanuel Cencic 2022 (opera broadcast) | Mutzenbacher 2022 | A Date in Minsk 2022 I Have not been Afraid of Going Blind for a Long Time 2021 | Under the Sky Shelter 2021 | The Kegelstatt Trio 2022 Will-o'-the-Wisp 2022 | The United States of America 2022 | Mon chéri Soviétique 2021 How many film festivals do you go to? the sheer scope of what you watch is insane. Since you're including 2021 movies I'd say one of my favorites was Spine of the Night, probably just for the visuals. EO... not a fan. What'd you like about EO so much?
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For those who are curious... 2021 from top to bottom, left to right: A Shape of Things to Come 2020 | Zeus Machine. The Invincible 2019 | Wood and Water 2021 Titane 2021 | ? | ? ? | ? | Bucolic 2021 Anonymous Animals 2020 | The Balcony Movie 2021 | ? ? | ? | ? Mad God 2021 | To the Moon 2020 | ? 2020 from top to bottom, left to right: ? | The Painted Bird 2019 | Ecstasy 2020 This Is Not a Burial, It's a Resurrection 2019 | Red Moon Tide 2020 | ? Gunda 2020 | The Metamorphosis of Birds 2020 | Los Conductos 2020 ? | ? | White on White 2019 Bird Island 2019 | Stories from the Chestnut Woods 2019 | Purple Sea 2020 Vitalina Varela 2019 | February by Kamen Kalev 2020 |The Trouble with Being Born 2020 2019 from top to bottom, left to right: Personalien 2019 | Metahaven Information Skies 2016 | Birthday 2018 Symphony of the Ursus Factory 2018 | Atlantis 2019 | The Tree 2018 So Pretty 2019 | L. Cohen 2017 | White Noise 2019 Around the World When You Were My Age 2018 | In Touch 2018 | Living and Knowing You're Alive 2019 Heimat is a Space in Time 2019 | ? | Long Day's Journey into Night 2018 Then Comes the Evening 2019 | Earth 2018 | Koko-di Koko-da 2019 ? | It Must Be Heaven 2019 | Island of the Hungry Ghosts 2018
>>2794 2019 r5c2 is Leaning Into the Wind: Andy Goldsworthy 2020 r4c2 is Last and First Men 2021 r2c2 is Family Constellations r3c1 is Strawberry Mansion r3c2 is Taste r4c3 is Fisherman's Daughter r5c2 is Moon, 66 Questions r6c3 is Feathers I don't know the rest
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>>2793 >Mariupolis 2 I watched the first one this year which resembled a Sensory Ethnographic project, though it lacked memorable moments. Many fleeting glimpses of the people of Mariupolis did not amount to enough substance. >>2794 Maybe we should find the others (going back to 2014?)
>>2795 thank you very much! here's the updated list: 2021 from top to bottom, left to right: A Shape of Things to Come 2020 | Zeus Machine. The Invincible 2019 | Wood and Water 2021 Titane 2021 | Family Constellations 2021 | ? Strawberry Mansion 2021 | Taste 2021 | Bucolic 2021 Anonymous Animals 2020 | The Balcony Movie 2021 | The Fisherman's Daughter 2020 ? | Moon, 66 Questions 2021 | ? Mad God 2021 | To the Moon 2020 | Feathers 2021 2020 from top to bottom, left to right: ? | The Painted Bird 2019 | Ecstasy 2020 This Is Not a Burial, It's a Resurrection 2019 | Red Moon Tide 2020 | ? Gunda 2020 | The Metamorphosis of Birds 2020 | Los Conductos 2020 ? | Last and First Men 2020 | White on White 2019 Bird Island 2019 | Stories from the Chestnut Woods 2019 | Purple Sea 2020 Vitalina Varela 2019 | February by Kamen Kalev 2020 |The Trouble with Being Born 2020 2019 from top to bottom, left to right: Personalien 2019 | Metahaven Information Skies 2016 | Birthday 2018 Symphony of the Ursus Factory 2018 | Atlantis 2019 | The Tree 2018 So Pretty 2019 | L. Cohen 2017 | White Noise 2019 Around the World When You Were My Age 2018 | In Touch 2018 | Living and Knowing You're Alive 2019 Heimat is a Space in Time 2019 | Leaning into the Wind: Andy Goldsworthy 2017 | Long Day's Journey into Night 2018 Then Comes the Evening 2019 | Earth 2018 | Koko-di Koko-da 2019 ? | It Must Be Heaven 2019 | Island of the Hungry Ghosts 2018 >>2796 sure, if you want to find them and post them I can start compiling the titles. I didn't know they went that far back. I first found /film/ maybe in 2016 but never remembered those charts. I was too busy catching up on older films.
>>2793 I only go to a few festivals in my country and something abroad every now and then. I also use the release dates over here rather than what's listed on imdb. Spine of the night was pretty meh and could have easily been twenty times as wild and trippy thanks to it being animated. Instead it was just uninspired and with a really stupid story. IO on the other hand was extremely based and veganpilled. Also, the Markopoulos film is called Eniaios, Temenos is the name of the event in Greece where they show parts of it. >>2796 They go back to 2012, I think I have them saved somewhere but tomorrow I'm going on a NYE trip with my boyfriend and don't have the time to look. I had the first Mariupolis on my list in the year that it came out too, showing the lives of people on the frontline of russian occupation was enough of 'substance' for me.
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hands down best movie of the year. i was sobbing with the rest of the theater.
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>>2796 >Maybe we should find the others (going back to 2014?) I believe I've got them all saved going back to 2012. I'm still missing a few of the films >2018 Unicorn (Eduardo Nunes) / De sperme et d'eau fraîche (Yann Gonzalez) / ? The Shape of Water (Guillermo del Toro) / Still Life (Maud Alpi) / Obscuro Barroco (Evangelia Kranioti) Drift (Helena Wittmann) / An Elephant Sitting Still (Hu Bo) / Meteors (Gürcan Keltek) High Life (Claire Denis) / Sfumato (Christophe Bisson)? / The Image Book (Jean-Luc Godard)? I Can Come in Your Dreams? / Jonaki (Aditya Vikram Sengupta) / Possessed (Rob Schröder & Metahaven) Knife in the Clear Water (Xuebo Wang) / What Happens to a Displaced Ant (Shirin Abu Shaqra) / The Wild Boys (Bertrand Mandico) Ága (Milko Lazarov) / Tower. A Bright Day. (Jagoda Szelc) / Little Crusader (Václav Kadrnka) >2017 Makala (Emmanuel Gras) / Spring Equinox (James Benning) / A Heart of Love (Łukasz Ronduda) The Woman Who Left (Lav Diaz) / Let the Sun Shine In (Claire Denis) / By the Time It Gets Dark (Anocha Suwichakornpong) The Last Land (Pablo Lamar) / Let the Corpses Tan (Hélène Cattet & Bruno Forzani) / Sleep Has Her House (Scott Barley) Those Shocking Shaking Days (Selma Doborac) / A Yangtze Landscape (Xu Xin) / Maison du bonheur (Sofia Bohdanowicz) Araby (João Dumans & Affonso Uchôa) / Dead Slow Ahead (Mauro Herce) / Caniba (Lucien Castaing-Taylor & Véréna Paravel) Another Year (Zhu Shengze) / All the Cities of the North (Dane Komljen) / El mar la mar (J.P. Sniadecki & Joshua Bonnetta) Children Are Not Afraid of Death, Children Are Afraid of Ghosts (Rong Guang Rong) / Fall Equinox (James Benning) / Untitled (Michael Glawogger & Monika Willi) >2016 Godless (Ralitza Petrova) / Innocence of Memories (Grant Gee) / In the Last Days of the City (Tamer El Said) / Chamisso's Shadow (Ulrike Ottinger) / Lily Lane (Benedek Fliegauf) / Maestà, The Passion of the Christ (Andy Guérif) / The Son of Joseph (Eugène Green) / Staying Vertical (Alain Guiraudie) / River of Fundament (Matthew Barney) The Death of Louis XIV (Albert Serra) / The Family (Liu Shumin) / Cemetery of Splendor (Apichatpong Weerasethakul) / Homo Sapiens (Nikolaus Geyrhalter) / Cosmos (Andrzej Źuławski) / Baba Vanga (Aleksandra Niemczyk) / The Sprawl (Propaganda About Propaganda) (Metahaven) / The Academy of Muses (José Luis Guerín) / Mariupolis (Mantas Kvedaravičius) >2015 Vanishing Point (Jakrawal Nilthamrong) / Horse Money (Pedro Costa) / La Sapienza (Eugène Green) / Motu Maeva (Maureen Fazendeiro)? / The Pearl Button (Patricio Guzmán)? / Paradise (Alain Cavalier) / Corn Island (Giorgi Ovashvili) / Son of Saul (László Nemes) / Moses und Aron (Romeo Castellucci) The Forbidden Room (Guy Maddin) / From What Is Before (Lav Diaz) / Ícaros (Pedro González-Rubio) / The Move (Marat Sarulu) / Fish Tail (Joaquim Pinto & Nuno Leonel) / The Visitor (Katarina Schröter) / Field Niggas (Khalik Allah) / La zuppa del demonio (Davide Ferrario) / Winter Song (Otar Iosseliani) >2014 The Distance (Sergio Caballero) / Story of My Death (Albert Serra) / Joy of Man's Desiring (Denis Côté) Journey to the West (Tsai Ming-Liang) / 15 Corners of the World (Zuzanna Solakiewicz) / Concerning Violence (Göran Olsson) Belleville Baby (Mia Engberg) / Manakamana (Stephanie Spray & Pacho Velez) / White Shadow (Noaz Deshe) Barbaric Land (Yervant Gianikian & Angela Ricci Lucchi) / When I Will Be Dictator (Yaël André) / Hard to Be a God (Aleksey German) Jauja (Lisandro Alonso) / Parasite (Anka Sasnal & Wilhelm Sasnal) / Mary Is Happy, Mary Is Happy (Nawapol Thamrongrattanarit) Atlas (Antoine D'Agata) / Mouton (Gilles Deroo & Marianne Pistone) / Self Made (Shira Geffen) What Now? Remind Me (Joaquim Pinto) / The Real Life (Arnaud Gerber) / Goodbye to Language (Jean-Luc Godard) For the Lost (Pierre-Yves Vandeweerd) / The Strange Color of Your Body's Tears (Hélène Cattet & Bruno Forzani) / My Seven Places (Boris Lehman) >2013 White Epilepsy (Philippe Grandrieux) / Venus in Fur (Roman Polanski) / Post Tenebras Lux (Carlos Reygadas) / Stranger by the Lake (Alain Guiraudie) P-047 (Kongdej Jaturanrasmee) / Goltzius and the Pelican Company (Peter Greenaway) / The Last Time I Saw Macao (João Pedro Rodrigues & João Rui Guerra da Mata) / Fat Shaker (Mohammad Shirvani) Metéora (Spiros Stathoulopoulos) / The Summer of Flying Fish (Marcela Said) / Lightning (Manuela Morgaine) / Norte: The End of History (Lav Diaz) A Spell to Ward Off the Darkness (Ben Rivers & Ben Russell) / Lukas the Strange (John Torres) / Leviathan (Lucien Castaing-Taylor & Véréna Paravel) / Sieniawka (Marcin Malaszczak) Stemple Pass (James Benning) / Never Die (Enrique Rivero) / Inori (Pedro González-Rubio) / Leones (Jazmin López) Distant (Yang Zhengfan) / Bestiary (Denis Côté) / Lily (Matt Creed) / Celestial Wives of the Meadow Mari (Aleksey Fedorchenko) Big Joy: The Adventures of James Broughton (Eric Slade & Stephen Silha) / 36 (Nawapol Thamrongrattanarit) / Fogo (Yulene Olaizola) / BAD FILM (Sion Sono) >2012 Century of Birthing (Lav Diaz) / Holy Motors (Leos Carax) / It May Be That Beauty Has Strengthened Our Resolve - Masao Adachi (Philippe Grandrieux) / The Legend of Kaspar Hauser (Davide Manuli) Low Definition Control - Malfunctions #0 (Michael Palm) / Life, A Long Way Away (Marc Weymuller) / Two Years at Sea (Ben Rivers) / Inni (Vincent Morisset) Beyond the Black Rainbow (Panos Cosmatos) / Bunohan (Dain Said) / Hanezu (Naomi Kawase) / Nightfall (James Benning) Love Story (Florian Habicht) / The Towrope (William Vega) / Differently, Molussia (Nicolas Rey) / Daimon? Kuichisan (Maiko Endo) / Kotoko (Shinya Tsukamoto) / Samsara (Ron Fricke) / Mondomanila, or: How I Fixed My Hair After a Rather Long Journey (Khavn) The Sound of Insects: Record of a Mummy (Peter Liechti) / Alps (Yorgos Lanthimos) / Under Snow (Ulrike Ottinger) / Shock Head Soul (Simon Pummell)
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>>2800 forgot there was a limit of 5 on the pictures. here are the 2013 and 2012 ones
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>>2798 Spine of the Night's lack of "wild and trippy" extremes is likely due to budgetary and manpower limitations. I guess you could demand that they spend ten years on it, but I thought that it was decent for what it was aiming for. If it's keeping practical art forms alive in the era of digitization, I immediately have a bias towards it. This is the main reason that I liked Hatching so much. EO had a very dumb story and its only redeeming factor was a cute donkey. >veganpilled meat is good for you, you should have some.
>>2802 *ten more years
Watched Otto Montagne on the big screen last night, amazing cinematography and the scenes flowed and unfolded in an incredibly naturalistic way. The soundtrack pulled me out a bit but only because I excepted an Italian score, that being said it fits perfectly. Though some might find the story lacking as it's over two hours. 10/10 for the big screen
>>2807 Forgot to add, the casting was AMAZING as the characters get older
>>2807 That looks interesting. I've never seen an Italian mountain movie. Given the subject matter I'm surprised it was shot in 4:3 aspect ratio.
The Beasts (As bestas) is a very good thriller and my fav 2022 film. It's based in a real case, you know how it's going to finish but it's still very good executed. You can feel the tension building up in the first 90 minutes. At the end, there is also a very good scene between the mother and her daughter. On the edge (Entre la vie et la mort) is a more classical neo-noir thriller but a very enjoyable one. It doesn't surprise you at any moment though, but the main character Antonio de la Torre is an excellent actor. Zero fucks given, if you want to see a lonely and lost girl don't giving a fuck about anything, only to live the present moment, you are going to love this one. Adèle Exarchopoulos <3 The Night of the 12th, it's about a not solved case and it shows how it affects the police officers and how they deal with their personal life. The director made a huge mistake, when he wants to show you something instead of just doing it, even though it's evident, he makes someone saying it out loud or repeats the same scene two times. It feels like you are watching a marvel movie targeted to retards and 13 years old. This makes the movie a bit annoying but I think it's still a good one, I don't know other movies with this plot.
>>2809 Try to catch it on the big screen, hell, if its not possible bring it over yourself!
2020 r1c1 is Sanctorum 2022 r2c2 is Homes
2018 r1 c3 might be "Let the summer never come again" but I'm not sure I haven't seen the film.

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