[JW14 ~ 01/22/2020] I have recently watched a couple Nollywood films, and was curious what is /film/'s take on Nollywood? Personally, I love how enthusiastic they seem to be about making movies. I believe in a decade or two, they could begin going through a sort of "new wave", and start producing some real quality films.

I'm tired of the northern hemisphere . I feel like the southern hemisphere is just a lot more interesting

[JW22 ~ 09/03/2019] >Sergei Mikhailovich Eisenstein was a Soviet film director and film theorist, a pioneer in the theory and practice of montage. The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army. In the following years, Eisenstein joined up with the Moscow Proletkult Theater as a set designer and then director. The Proletkult's director, Vsevolod Meyerhold, became a big influence on Eisenstein, introducing him to the concept of biomechanics, or conditioned spontaneity. Eisenstein furthered Meyerhold's theory with his own "montage of attractions"--a sequence of pictures whose total emotion effect is greater than the sum of its parts. He later theorized that this style of editing worked in a similar fashion to Marx's dialectic. Though Eisenstein wanted to make films for the common man, his intense use of symbolism and metaphor in what he called "intellectual montage" sometimes lost his audience. Though he made only seven films in his career, he and his theoretical writings demonstrated how film could move beyond its nineteenth-century predecessor--Victorian theatre-- to create abstract concepts with concrete images. Eisenstein's completed feature films include: Strike (1925) Battleship Potemkin (1925) October: Ten Days That Shook the World (1928) The General Line (1929) Alexander Nevsky (1938) Ivan the Terrible, Part I (1944) Ivan the Terrible, Part II (1945) Incompleted films: ¡Que viva México! (A version was completed, edited, and released in 1979 by Eisenstein's co-director Grigori Aleksandrov) Bezhin Meadow (lost, only exists as a slideshow now) Ivan the Terrible, Part III (what was completed was destroyed)

Discussion of films/TVs about WWII from the German perspective. Allies movies with comical over-the-top natsee villains not welcome.

This board is so dead. Does anyone else hate film students?

[JW21 ~ 01/12/2020] Growing up I always enjoyed watching films, but when I got older I started studying film and it tainted my movie-going experience permanently. It used to be that movies had a magical, escapist quality to them for me. But now when I watch a movie I can't help but criticize and analyse it in my mind. I can't stop myself from being taken out of immersion. It's no longer a fun past time, but a chore. It's very frustrating for me, because I just want to get absorbed into a story and forget about everything for 90 minutes, but I can't. Has anyone else here faced this problem?

im watching the third season of twin peaks and goddamn, it fucking sucks. i never realized just how overrated Lynch is untill now. its postmodern jew trash, just like naked lunch

[JW04 ~ 05/22/2020] A special place for a small-format video field dedicated, once upon a time, to video technique experiments, unorthodox art directions and/or kinetic performances. As previously discussed this is a genre who has gotten a bit harsher to collect and research, there's some ways to start amassing a personal stash in a reliable way and check information regarding content creators, but in recent times these have gotten limited. The IMVDb site is a good place to start although it seems its staff activity has halted, at least considering that community entries have been on hold for a year now, so it should probably be taken as an introductory resource rather than a golden rule. Archive.org also features "small" batches of standard quality files, so it's also a most-see for new adventurers. Featured here is one of the early products made by the famous Ninja Tune label, as the founders of said company Coldcut made a collaboration with Hexstatic to create a small Audiovisual single that shows the very early and pioneering technology of their own real-time video manipulation software, something also called video scratching as it remixes and manipulates video as it were a vinyl on a disc jockey table, with audio included. Something that just very recently has been considered a normal mark in video sites, and mostly as an evolution of golden age Youtube Poop which is at its earliest around 2007; Coldcut made Timber in 1997. It also comes a decade after the same guys were already written in history with gold for popularizing and somewhat creating the standard of pausing cassettes, cutting the tape at that point, taping it over cheap copies of the same recording, doing it several times with several things and ending up with a frankenstein tape that basically invented the UK Garage scene along with the Big Beat scene, and by default the Remix style of musicianship, something that in a very short time would be refined and raised as an art by artists such as Todd Edwards. Highly criticized these days due to being seen as careless for the decline of the cult electronica label that was Ninja Tune, the Coldcut duo is somehow still underrated even when their influence has been omnipresent.

How does this board compare to /film/ on 4chan.org/tv? I can't stand the lack of actual discussion on a topic and there's only arguments about taste and whatnot. Feels like elitism to me.

[JW06 ~ 05/10/2020] Post about movies that generated controversy. While I leave this thread open to controversial content such as graphic violence, sex, or political thought, I want to remind anons to consider controversial direction as well such as pic related.